If you’re making any kind of art, it is essential, no matter what stage you are at in your development, that you seek out feedback about your work. Not just the typical, “Wow, that’s wonderful! You’re really talented” that you get from your wife/husband/boyfriend/girlfriend/kids/parents/siblings, but honest, objective critical feedback from people that are not worried about hurting your feelings. (And as an aside, you should never take critical comments about your work personally. Even if a comment is meant as a personal attack, passive aggression disguised as constructive criticism always says more about the flaws in the character of the person making the comment than about any flaws in the work being discussed.) Feedback is indispensable as a means of helping you gauge the efficacy of your methods and it should always be considered carefully.
About nine years ago, I had a more experienced artist and teacher critique some of my work. She said that I was “trying to do too much” and that I should figure out what’s important to me and just do that. At the time (as is so often the case) I wasn’t sure exactly what this meant. I thought of Rembrandt, Cézanne and DeKooning, three artists whom I always felt tried to do too much and succeeded at it, so maybe trying to do too much wasn’t such a bad thing. Still, I took her comments to heart, filed them in my subconscious and continued to work.
Looking back, I realize that as my work evolved over the ensuing years, my periodic dissatisfaction with it resulted in what was essentially a distillation process - the systematic removal of certain aspects of my work (e.g. the influence of other artists, description of specific subject matter, objective color, etc.) – and this process continues today, as I find myself trying to really hyper-focus on the things that are important to me and jettison those things that aren’t essential. I once took a photo of a tiny section of one of my paintings and when I saw the image I realized that everything I was trying to say was contained in that microcosm, and that a lot of what was in the painting was extraneous.I had, indeed, been trying to do too much.
Years ago I was out running on some old railroad tracks near my home in Massachusetts. My shoe had come untied and when I stopped and crouched down to tie it I happened to notice a section of the steel track that had rusted so much I could easily break pieces of it off. Right next to it was a small plant that was beginning to bud. I was captivated by the contrast between the resilience of this little plant and the ultimate fragility of the steel. Decades from now, the plant might be a majestic tree, rising high above the dust that the tracks would have become and yet to look at the plant, one would see no visible signs of growth or activity.
I’m always fascinated when I look back at work that I did years ago and see not only how my methods have metamorphosed, but how the changes have, for the most part, occurred in microscopic increments and in a way that now seems inevitable. I find great comfort in the realization that although I often feel like I’m forging blindly into a vast and murky darkness, there’s a force greater than me at work guiding me inexorably toward some destination. Not that I don’t have to work hard, because I do, but it’s important to remind myself that as long as I’m moving forward, it isn’t imperative that I know where I’m going to end up. The essence of any journey lies in the step that you’re taking right now.
I am a full time artist, originally from Massachusetts, currently living in northern Maine. I work primarily in oils and pastel, and occasionally watercolor. I offer instruction in drawing and painting at my studio, which is in an old renovated potato barn. Please feel free to view samples of my work (You can see a larger version of each picture if you click on it.) and leave a comment if you are so inclined. Be sure to click the "Older Posts" button at the bottom to see more work. I don't always have time to respond to comments, but if you wish to correspond with me, you can e-mail me at firstname.lastname@example.org