I began painting exclusively with a knife about eight years ago. The reason for this was that I felt like I couldn't make a stroke in oil paint with a brush that didn't look like something that I had seen before. Making paintings that no one else could possibly have made was important to me, so I endeavored to develop my own personal system of mark making. I essentially use the same knife for everything. It's not even a painting knife; it's a palette knife – made for mixing colors on the palette – but it's what I feel most comfortable working with. I also paint with my canvas lying fat on a table, rather than propped up vertically on an easel, which enables me to turn the canvas (or walk around the table) and easily paint from any side of the canvas. One of the things that appeals to me about this method is that I am constantly forced to find ways to articulate what I'm trying to say without being able able to resort to copying the tried-and-true methods of other painters. Making art offers us an opportunity to celebrate our uniqueness, and finding a personal way of painting has always been a top priority for me. Suggesting a tree with this method is always a challenge, but I'm quite pleased with the way this came out.
I am a full time artist, originally from Massachusetts, currently living in northern Maine. I work primarily in oils and pastel, and occasionally watercolor. I offer instruction in drawing and painting at my studio, which is in an old renovated potato barn. Please feel free to view samples of my work (You can see a larger version of each picture if you click on it.) and leave a comment if you are so inclined. Be sure to click the "Older Posts" button at the bottom to see more work. I don't always have time to respond to comments, but if you wish to correspond with me, you can e-mail me at firstname.lastname@example.org